On June 8th I performed Sonidos de Cuba at the Vancouver Mini Maker Faire. My wife was also showing off her Drift clothing and accessories (you can check out her stuff here). Previously I had used a laptop running Ableton Live with an Akai APC40, a Korg Electribe ES1mkII and my trumpet. This time I debuted my new live setup focused around the Elektron Octatrack. I’m also using an Arturia MicroBrute, MFB Kraftzwerg, Electo-Lobotomy Sonic Forest, Manastone Hank Drum and Trumpet. Changing my setup has caused the songs to evolve quite dramatically. I’m still playing back stems from each song on the album, but sequencing them on the Octatrack has changed the way they’re configured. The Octatrack is also sequencing the two synthesizers which imparts some great new life into the material. Continue reading “Maker Faire 2014 and a WCMA Nomination!”
I’ll be playing again at the Vancouver Mini Maker Faire on Sunday June 8th at 2pm, only this time I’ll be using my Elektron Octatrack. I’ve been working hard exporting, sequencing, and reworking Sonidos de Cuba so that I can perform it live with this amazing device. At first I was trying to remake the songs close to how they sound on the album, but I kept encountering happy accidents and decided to let go and allow the album to evolve into a new form. Now some parts sound similar, but others sound completely different. It’s allowed me to get excited about the music again as I had grown a little tired of it after hearing so much of it. I’m using the Octatrack to sequence my MFB Kraftzwerg and Arturia Microbrute and as an effects unit for my Electro-Lobotomy Sonic Forest and Trumpet. It should be fun so I hope to see you there! The Maker Faire is a really great inspiring event so I highly recommend checking it out even if you can’t make my performance. If I have time I may even play one of the songs off my next album featuring recordings from Thailand along with my Manastone Hank Drum. More info at: http://makerfaire.ca Continue reading “New Live Set at the Vancouver Mini Maker Faire”
I’ve released a free EP of some of my older work on my Bandcamp store. I discovered and developed my unique style of working with field recordings in these four songs. Sonidos de Cuba was born from these early acoustic explorations. I like to think of them as musical larvae or protozoa, which is why I’ve called the EP Proto-Sonos.
The first song is Rain Down. It rains a lot in Vancouver. Therefore it was a natural choice to use a bed of rain recordings as a foundation for a song. Continue reading “Free EP on Bandcamp!”
Check out the cover art for my album! It was recently finished by the beautiful and talented Tania Clarke of Side B Design Studio (side-b.ca) who also happens to be my wife. She took some gorgeous photos during our trip to Cuba. If you’d like to have a look please visit http://www.flickr.com/photos/sidebdesign
In other news, my show at Sequential Circus 11 on August 18th was a lot of fun! I was pretty nervous leading up to (and during) my set. I’ve never sweat so much while playing and my slick lips had a hard time hitting my higher range. I was feeling pretty sloppy with my trumpet playing, and not feeling too good about my performance until after I finished. I received a good round of applause and was given a lot of congratulations on my set so I guess it wasn’t as bad as I thought! The rest of the evening was fantastic.
Phonotactic had a great journey of a set using Ableton and a Kaosspad. He went from mellow funky dubby music to thumping floor fillers. Then Tarekith took the stage with his Elektron duo (Octatrack and Machinedrum). His set was smooth, cool, and full of slick production. Next, Dark Arps emerged with gut throbbing basslines and tech funk delights. My friend dubbed him the Techno-borg as he was wearing a Sci-Fi suit that glowed and flashed to the music. It was hot enough there in shorts and a T-shirt so I imagine he was baking in his Borg suit. Muxx followed him with a high energy techno set that reminded me of fun times in early raves. His “One night in East Van” had the whole crowd chanting along with him. Lastly Vincent Parker switched things up with psychedelic synth washed dubby beats. Good times indeed!
The Sequential Circus crew should be posting the sets on their website soon if you’d like to hear them for yourself. I’ll post a link once they emerge. Meanwhile, I’m working on sound design for one of the rooms at this year’s Dunbar Haunted House. It’s turning into a fun creative project making the atmosphere for a Daycare of Doom. I’ve even done some voice-acting. Just one song left to complete for Sonidos de Cuba. This one’s called Ascensor (for now) and features a recording of the elevator in our apartment in Vedado. It would only go up to the 7th floor, but our Casa Particulaire was on the 9th so we’d have to hoof the last two floors. Working elevators are something I never realized I took for granted in Canada until then. Once that one is finished I’ll spend some time mastering the album and then I’ll be able to finally unleash it on the world!
I’m performeding a demo of Ableton Live for Erickson Music using the Novation Launchpad and the Focusrite Saffire Pro 24 as part of the IAM Collective’s Wall of Sound Sessions today. Come by the Tom Lee Music Music Hall if you want to come check it out.