I was able to borrow a GoPro camera for my trip to Belize, so I actually have a lot of video footage. Eventually I hope to use that footage to make videos for at least a few of the songs. This song is actually more based on video footage than field recordings, and it spent a lot of time in limbo before I figured out a direction for it. Once I did settle on a direction it was actually completed quite quickly (by my standards). It was one of the last songs finished on the album along with Stowaway, which I talked about in the last making of post. Continue reading “The Making of Belizean Heat: Part 8 – Caves Branch”
At long last I’m excited to say that I can start sharing Belizean Heat, the follow up to Sonidos de Cuba! I’m really pleased with how this album turned out. It’s quite eclectic, stylistically spanning from ambient and downtempo to progressive house and synthwave, but manages to be cohesive as a whole. It features a wide array of acoustic and electronic instruments, including trumpet, trombone, melodica, xaphoon, shakers, hand percussion, electric guitar and bass, Sonic Forest, Arturia MicroBrute, Elektron Octatrack Analog Four and RYTM, MFB Kraftzwerg, Dave Smith Poly Evolver, Novation Nova, and modular synthesizer. Continue reading “Warming the Winter With Belizean Heat”
December saw me swing away from music and back into audio post production for film in a big way. I took on Sound Design for a feature length drama called Candiland with a deadline in mid January. The film is a dark drama based on an Elizabeth Engstrom novel and features powerful performances from Gary Busey, James Clayton, and Chelah Horsdal. It was a long term passion project for the director Rusty Nixon, so it was really exciting to be involved with something where everyone was so enthusiastic and supportive. The release date has not been announced yet, but if you get a chance I’d really recommend checking it out. Continue reading “Pulled back to Post”
This is an interesting article from the Vancouver Sun regarding the recent move by the Canadian Intellectual Property Office (CIPO) to allow the trademarking of sounds: http://www.vancouversun.com/technology/Sounds+that+send+message/6490368/story.html?goback=.gde_726837_member_109465483
When I was working on the concept audio for the Chevy Volt, there was a tremendous amount of thought and discussion that went into the emotional impact that the sounds within the vehicle would have on the driver. They wanted to convey the power of the Volt, but at the same time make it feel welcoming and not agressive. They also wanted to highlight the green technology of the car. I experimented with synthetic and natural sounds like water and wind to zero in on the tones that best suited what they described. I recorded spinning magnets, my breath through a conch shell, and a plucked cello and layered them together for one cue. The whole project was an interesting challange and a fun process. I’m glad to see that CIPO is taking audio trademarks into consideration and I hope it means that more companies will consider audio branding.
I recently returned from my honeymoon in Japan and Thailand. Naturally, I brought my Zoom H4N portable recorder, but this time I also brought a Rode NTG3 shotgun mic and a small contact mic. I recorded over 5GB of audio over the three week trip and I know I’ve got some great stuff but I haven’t had a chance to touch it yet. I really enjoyed all the chirps of the Cicadas and the rhythms of the trains so I spent a lot of time recording those.
I’ll post my recordings once I’ve had a chance to go through them and clean them up. Then I’ll start mangling them into music!