New Live Set at the Vancouver Mini Maker Faire

Poly got potentiometered!
Poly got potentiometered!

I’ll be playing again at the Vancouver Mini Maker Faire on Sunday June 8th at 2pm, only this time I’ll be using my Elektron Octatrack. I’ve been working hard exporting, sequencing, and reworking Sonidos de Cuba so that I can perform it live with this amazing device. At first I was trying to remake the songs close to how they sound on the album, but I kept encountering happy accidents and decided to let go and allow the album to evolve into a new form. Now some parts sound similar, but others sound completely different. It’s allowed me to get excited about the music again as I had grown a little tired of it after hearing so much of it. I’m using the Octatrack to sequence my MFB Kraftzwerg and Arturia Microbrute and as an effects unit for my Electro-Lobotomy Sonic Forest and Trumpet. It should be fun so I hope to see you there! The Maker Faire is a really great inspiring event so I highly recommend checking it out even if you can’t make my performance. If I have time I may even play one of the songs off my next album featuring recordings from Thailand along with my Manastone Hank Drum. More info at: http://makerfaire.ca Continue reading “New Live Set at the Vancouver Mini Maker Faire”

New Toys for the Studio!

Fall and winter of 2013 saw a few new instruments enter my arsenal at Studio Sublime. The strangest one came first. My wife bought me something called a Sonic Forest for my birthday. I must admit my initial reaction when she showed it to me was not very enthusiastic as I didn’t really know what to make of it or how I would incorporate it into my music. However, when it arrived I quickly fell in love with it and the experimental, hands on approach to music making that it invited. Basically, the Sonic Forest is a wooden box with a contact mic inside and a 1/4″ audio output. Attached to the box sprouts a forest of guitar and bass strings of various lengths that you can pluck, rasp, bow or otherwise molest to produce a variety of sound textures. It also has a Mute switch and a tone switch that functions as a high-pass filter. I made a short song using only the Forest and effects from Ableton Live and you can listen to it below. You can also check out Electro Lobotomy’s other esoteric creations here: http://www.etsy.com/ca/shop/ElectroLobotomy?ref=l2-shop-info- 

I received a generous bit of birthday money from my Grandpa so I decided it was time to pull the trigger on an instrument I’ve been obsessing over for a while now: A Hank or Steel Tongue Drum. Hank drums are propane tanks modified into beautiful musical instruments. Continue reading “New Toys for the Studio!”

Free EP on Bandcamp!

I’ve released a free EP of some of my older work on my Bandcamp store. I discovered and developed my unique style of working with field recordings in these four songs. Sonidos de Cuba was born from these early acoustic explorations. I like to think of them as musical larvae or protozoa, which is why I’ve called the EP Proto-Sonos.

The first song is Rain Down. It rains a lot in Vancouver. Therefore it was a natural choice to use a bed of rain recordings as a foundation for a song. Continue reading “Free EP on Bandcamp!”

CDs and Contests and Gigs and News and Stuff

Hey look what I got!
Hey look what I got!

The CDs of Sonidos de Cuba have arrived! I’ve already given a few out to some of my Rockethub supporters and the rest of you will receive them soon. They look great thanks to Tania Clarke’s wonderful album artwork. Next I’ll send off a few to CD Baby so the physical copies will be available there too.

It’s a little funny. Two of the people I’ve given copies to have commented on how long it’s been since they’ve bought a physical CD. I know the format is definitely waning in use as people move towards digital and cloud based music, but I really wanted to have some physical copies. It just makes the album feel that much more real, complete, and professional. Continue reading “CDs and Contests and Gigs and News and Stuff”

The Stories behind the Sonidos

Sonidos de Cuba (Sounds of Cuba)

In March of 2010, I travelled with my fiance to Cuba for ten days. Despite the short amount of time I spent there, I was overwhelmed by the complexity, culture, rhythm and pulse of the country. I brought with me a Zoom H4N portable recorder and gathered various snippets of the rich acoustic landscape. After returning home, I began using these recordings as a foundation for my own music. I spent many hours editing, warping, looping, filtering, sampling, and mangling the sounds to distil them into songs. Over the next three years, I created an album of electronic music that attempts to tell the story of this visit. I made this music in an effort to relive and restructure not merely the recordings, but the memories of my time there in order to share this journey with others. Hopefully you’ll feel transported as you listen and enjoy these Sonidos de Cuba. Continue reading “The Stories behind the Sonidos”